Oh, look. A giant orange unicorn singing songs with a bunch of smiling kids.
Yeah... because that's never ended badly.
The trailer for It's Buddy! wastes no time setting the trap. Everything's bright. Everything's colorful. Everybody's smiling like they just won the lottery. And that's exactly why you should be nervous.
See, the creepiest monsters don't show up covered in blood. They show up with a grin, a catchy theme song, and a promise that everything's going to be just fine.
Until somebody says...
Switzerland defeated Northern Ireland 2-1 in their final Women's World Cup qualifying match on June 9, 2026. Group winners Switzerland secured the victory at Mourneview Park with first-half goals from Géraldine Reuteler and Smilla Vallotto, while teenager Emily Cassap scored a late consolation goal for Northern Ireland on her debut.
Northern Ireland analysis: Defensive lapses cost McArdle's side
Given that the game had little jeopardy in terms of both sides' qualification hopes, it was an opportunity for the managers to assess their options. Both made five changes apiece from their previous games.
While the Swiss were not at full strength, they were still a level above Northern Ireland and exhibited why they won the group unbeaten.
They also provided a good test for Michael McArdle to assess what his side need to do to match opponents of a similar level for the play-offs, where NI will be unseeded and will face teams from League A or potentially a League B group winner.
In a 4-3-3 formation, NI were set up to attack and tried to break at pace, while defensively they pressed high and aggressively against the Swiss, as they did in their two wins against Malta last month.
Maxwell will rue her inability to take those two early chances and they ultimately proved costly, as did defensive lapses for the goals.
McArdle will be disappointed that the team switched off to allow Wandeler to find Reuteler, who was composed with the finish, and that Vallotto had time and space in the box to stroke beyond Jackie Burns.
One real bright spark for NI was Cassap's lively cameo off the bench and she will hope her debut goal will have caught the eye enough to help her be included in the autumn.
Northern Ireland kept the Swiss relatively quiet in the second half, but can ill-afford similar switch-offs in the play-offs, where they will be huge underdogs given they will have to progress through at least two rounds of two-legged games if they are to reach a first Women's World Cup.
At a glance
Geraldine Reuteler scores opener for Switzerland on 29 minutes before setting up Smilla Vallotto for the visitors' second
Teenager Emily Cassap nets debut Northern Ireland goal 66 seconds after being introduced as a substitute
Switzerland top the group with five wins from six games as they earn promotion to League A
Northern Ireland to remain in League B and like the Swiss have a World Cup play-off in the autumn
- Lauren McCannBBC Sport NI Journalist
Switzerland inflicted a fourth defeat on Northern Ireland in their final Women's World Cup qualifier as the group winners picked up a 2-1 victory at Mourneview Park.
The Swiss made the breakthrough just before the half-hour mark through Geraldine Reuteler, who then turned provider to pick out Smilla Vallotto to add a second just before the break.
Teenager Emily Cassap curled home a debut goal just minutes after coming on, but it proved to be a consolation for NI as the Swiss held on for the victory.
The win secured a return to League A for Rafel Navarro's side, while Northern Ireland finished third in the group and will remain in League B.
Both sides will now look forward to the play-offs in autumn with the draw to decide their opponents to be made on 18 June.
Panelists:
Trey Parker, Co-Creator, Executive Producer
Matt Stone, Co-Creator, Executive Producer
Moderator:
Mike De Luca, Chairperson and co-CEO of Warner Bros Motion Picture Group
Location:
Linwood Dunn
Event Recap:
At the South Park Emmy Official FYC event at Linwood Dunn (recorded on May 19), co-creators and executive producers Trey Parker and Matt Stone were joined in conversation by Mike De Luca for a wide-ranging discussion about their nearly 30 years working on South Park, their embrace of technology, and the longevity of what they’ve created. After receiving a standing ovation upon taking the stage, Trey and Matt reflected on their writing process and how cathartic it is to make South Park in the current political climate, explaining how the series has always reacted to both the culture and their own evolving perspectives. Trey noted that the character of Randy originally began as a way to make fun of his father before gradually becoming more reflective of himself. Mike transitioned into discussing “The Spirit of Christmas,” the original VHS short Trey and Matt created in college, which Matt described as “viral before viral existed,” though he joked it took much longer for things to spread at that time. The conversation then shifted to the show’s famously fast turnaround process, with Trey explaining that episodes often begin the week before airing, and that technology has become an essential creative tool in helping them execute ideas at such speed. When discussing A.I., Matt spoke about their A.I. company (Deep Voodoo) and how they view the technology as a tool for creativity rather than a replacement for the creative process. Trey and Matt emphasized that while technology continues to evolve, the heart of South Park remains rooted in the writers’ room and in making each other laugh. Matt explained that the secret to South Park is not necessarily how quickly they make episodes, but that they essentially create longer cuts and refine them down. Trey joked that episodes are often “unwatchable” the Sunday before they air, and that sometimes they do not even fully know how they feel about a topic until the night before broadcast. Mike also asked about the rhythm and pacing of the series, which Trey said has become second nature after decades on air, though he noted that longer format specials like “Streaming Wars” allowed scenes more room to breathe. Trey shared that his favorite episodes often begin from a simple comedic premise that evolves organically into a full story, explaining that they strive to make each episode feel like a self-contained mini movie rather than following the structure of traditional adult animation. Discussing the voices of the characters, Matt explained that many are discovered organically in the writers’ room, and if something makes the room laugh, they continue developing it. Trey then reflected on discovering pitch-shifting technology in the early 1990s, which helped define the iconic sound of the show. Mike later asked about the music in the series, specifically highlighting “A Christian Woman,” this year’s Emmy submission for Original Music and Lyrics. Trey revealed that there is a piano in the writers’ room and explained how music often helps the team work through creative challenges or moments where they feel stuck. Trey shared that early in the season they knew they wanted to bring Jesus back and explore the idea of him hitting “rock bottom” in a way that felt both poignant and funny. The conversation also touched on some of the show’s most ambitious creative swings, including the World of Warcraft episode, with Trey explaining that they have always loved experimenting with new forms of storytelling and collaborating directly with artists and experts from the worlds they parody. When discussing the current state of comedy, Matt reflected on competing not only with the internet but also with politicians and the constant performance culture of modern media. Despite how much the landscape has changed, Trey and Matt explained that their guiding principle has remained consistent: following topics no one else is talking about and focusing on what genuinely makes them laugh. They acknowledged that part of the humor and endurance of South Park has come from their refusal to stop, even when people encouraged them to move on. Reflecting on the Season 27 premiere reaching an all-time ratings high, Trey and Matt described the week leading up to it as enormously stressful amid the backdrop of major company negotiations and industry changes, though they noted that the convergence of everything happening ultimately clarified what the season needed to explore creatively. Trey added that one of the benefits of the show’s one-week production cycle is that they do not have time to second guess themselves and instead simply trust their instincts. Closing the conversation, Mike asked about the show’s longevity and what has allowed South Park to remain creatively vital for so long. Trey compared each season to an album and each episode to a song, explaining that he and Matt always wanted to be rock stars and still approach the series with that same mentality of trying to capture something meaningful in the moment. Looking back on past seasons, they reflected on how the show documents what mattered to them at different points in their lives. Trey and Matt also shared how meaningful it has been to return to the series after longer gaps between seasons, describing the show once again becoming a cathartic experience for both themselves and audiences. When asked if there was anything they would not do again, they joked “10 in a row,” referencing the difficulty of producing ten consecutive episodes at once. Trey added that staying creatively excited and remaining honest in the room has been essential to the series’ longevity, emphasizing that they are never trying to simply recreate who they were years ago. The panel concluded with Trey and Matt confirming that six more episodes are coming this fall, prompting another huge round of applause and standing ovation.
Synopsis:
The hit animated franchise, which will be celebrating its 30th anniversary in 2027, debuted on Comedy Central on August 13, 1997. Stan, Kyle, Cartman and Kenny were first seen in the animated short “The Spirit of Christmas,” and from there were launched into television history. The show continues to be celebrated three decades after its debut, winning the Primetime Emmy for “Outstanding Animated Program” five times and receiving 20 nominations. South Park was included in the 2026 Television Academy Honors as their first ever animated honoree, as the Producers Guild Awards (PGA) first animated show to be included in Best Episodic comedy, and has also received awards and accolades from the American Film Institute (AFI), the Peabody Awards and the Critics Choice Association. In addition, South Park was the # 1 show on cable in 2025 among P18-49, including the return of S27 delivering the best average P18-49 share in 27 years and most watched season in six years. Co-creators Trey Parker and Matt Stone are executive producers, along with Anne Garefino and Frank C. Agnone II. Eric Stough, Adrien Beard, Bruce Howell and Vernon Chatman are producers. Christopher Brion is the Creative Director of South Park Digital Studios. South Park’s website is SouthPark.cc.com.






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