LOS ANGELES, CA (October 16, 2026) – WaterTower Music today announces the release of Clayface (Original Motion Picture Soundtrack), available now on all major digital streaming platforms ahead of the film’s theatrical release on October 23. The album features an original score by Academy Award® winner Volker Bertelmann (All Quiet on the Western Front) and a hauntingly beautiful cover of the Chicago classic “If You Leave Me Now” by British singer-songwriter Jasmine Jethwa. Listen HERE.
 
Bertelmann describes the score as a close collaboration with director James Watkins. One of his biggest challenges was finding a single theme that could hold both Clayface’s inner conflict and the film’s romance.
 
“Working with James Watkins was a great experience. He gave me a lot of freedom to search for the right sound for the film,” says Bertelmann. “Finding a theme that captured both Clayface’s conflicted personality and the romance was one of the biggest challenges, along with creating sounds for the Nanos and integrating them into the music. James and editor Jon Harris found a beautiful balance between genre-specific storytelling and staying close to the humanity of the characters. That helped me shape the music in the right direction. It was a truly collaborative process.”
 
Jethwa’s take on “If You Leave Me Now” brings out the heartbreak under the 1976 soft-rock hit. She recorded it to Bertelmann’s production with the London Contemporary Orchestra at Abbey Road Studios.
 
“When I began working on this song, the sentiment and undertone immediately felt quite heartbreaking to me, so being able to sing it with the production Volker created felt like tapping into the darker nature of the song that had always been there,” says Jethwa. “Recording it at Abbey Road Studios with the London Contemporary Orchestra was completely surreal; it felt like I was in a dream. To have my voice and interpretation of this song woven into the world of Clayface feels incredibly special. Being part of a film and soundtrack of this scale feels extraordinary. I’ll never forget it.”
 
Tracklisting:

1. Clayface Theme
2. If You Leave Me Now – Jasmine Jethwa
3. Call Back
4. Just a Message
5. All Worked Up
6. Pretty No More
7. What Do You Have There?
8. Who Are You?
9. Mirror
10. Turbulence
11. Revenge Inside of You
12. No Soft Story
13. Maybe a Smoothie
14. Your Face Changed
15. Do You Know?
16. Not Fair
17. Rebirth
18. I Don't Have a Year
19. No One Up
20. A Ghost Town
21. Help Me
22. Leap of Faith
23. End Credit (Clayface)



ABOUT CLAYFACE
DC Studios’ CLAYFACE is a horror thriller from director James Watkins, starring Tom Rhys Harries in the title role of the cult favorite villain from Gotham’s Rogues’ Gallery.
Matt Hagen’s meteoric rise from Gotham street kid to Hollywood leading man is tragically cut short when a local crime boss’s actions leave him horribly disfigured. Abandoned by his team and with nothing left, Matt seeks out a cutting-edge treatment that miraculously returns him to his former self… but also has troubling physical and psychological side effects that spiral him down a destructive path of all-consuming revenge. The film also stars Naomi Ackie, David Dencik, Max Minghella and Eddie Marsan, as well as Nancy Carroll and Joshua James.
 
James Watkins directs from a screenplay by Mike Flanagan and Hossein Amini, story by Flanagan, based on characters from DC. The film is produced by Matt Reeves, Lynn Harris, James Gunn and Peter Safran, with Michael E. Uslan, Chantal Nong Vo, Lars P. Winther, Paul Ritchie, Rafi Crohn and Trevor Macy executive producing.
 
Watkins’s creative team includes director of photography Rob Hardy, production designer James Price, editor Jon Harris and costume designer Keith Madden. Music is by Volker Bertelmann.
 
DC Studios Presents a 6th & Idaho Production, a James Watkins Film, CLAYFACE.  The film will be distributed by Warner Bros. Pictures and released only in theaters in North America on October 23, 2026, and internationally beginning 21 October 2026.
 
 
ABOUT VOLKER BERTELMANN
Volker Bertelmann is an internationally acclaimed pianist, composer, and experimental musician whose innovative approach to sound has made him one of contemporary cinema’s most distinctive musical voices. He won a multitude of awards, including Academy Award, BAFTA Award and Deutscher Filmpreis (German Film Award) for Best Original Score for All Quiet on the Western Front, directed by Edward Berger. Furthermore, he received Academy Award nominations for Conclave and Lion (co-scored with Dustin O’Halloran).
 
In 2026 Volker scored music for projects such as DC Studios' Clayface, directed by James Watkins; Focus Features' The Uprising, directed by Paul Greengrass; Amazon MGM Studios' Verity, directed by Michael Showalter; Bunker, directed by Florian Zeller; and Pressure, directed by Anthony Maras.
 
Volker received his first Primetime Emmy Award nomination for Outstanding Original Main Title Theme Music for Dune: Prophecy, expanding his acclaimed work into television. His honors also include World Soundtrack Awards (WSA) recognition for his scores to Conclave, The Amateur, and All Quiet on the Western Front, reflecting the continued global impact of his music.
 
Additional notable credits include A House of Dynamite, Ballad of a Small Player, Panic Carefully, The Day of the Jackal, Patrick Melrose, Your Honor, The Old Guard, and Stowaway, demonstrating a body of work that moves seamlessly between intimate drama, large-scale cinema, and prestige television. With other credits including the Black Mirror episode "Beyond the Sea," Hollywoodgate, War Sailor, an official selection of the Toronto International Film Festival, and Adrift, directed by Baltasar Kormákur. He also reunited with O'Halloran to compose Ammonite, which was shortlisted for the Academy Awards, and scored One Life, which premiered at the Toronto International Film Festival in 2023 to critical acclaim.
 
Outside of film scoring, Bertelmann performs and records under the moniker Hauschka, through which he has become internationally renowned for pioneering prepared-piano techniques and fully improvised live performances. His solo career spans more than twenty albums and EPs, blending classical composition, experimental sound design, and electronic textures. He has collaborated with leading artists and ensembles including the MDR Leipzig Radio Symphony Orchestra, where he served as artist-in-residence, Icelandic experimental group Múm, and Grammy-winning violinist Hilary Hahn.
 
Bertelmann is an active member of both the Academy of Motion Picture Arts and Sciences and the British Academy of Film and Television Arts and continues to expand the possibilities of cinematic music through a singular artistic voice that bridges classical tradition, experimentation, and modern storytelling.
 
 
ABOUT JASMINE JETHWA
South-London singer-songwriter Jasmine Jethwa released her defiant and raw debut album ‘Girl Who Cried Wolf’ earlier this year via AWAL.
 
Inspired by old English folk music and the esoteric, Jasmine makes alternative-folk songs shaped by her background in dance, her Anglo-Indian heritage (she is half Gujrati), and a deep connection to nature, spirituality and the elements.
 
Jasmine’s music draws on artists such as Fairport Convention, Sandy Denny and Nick Drake, alongside the devotional vocal style of Lata Mangeshkar. Alongside these influences, her visual world reflects movement and natural landscapes - including harsher climates - which echo the emotional highs and lows of love and life.
 
 
ABOUT WATERTOWER MUSIC
WaterTower Music, the in-house label for the Warner Bros Discovery companies, releases recorded music as rich and diverse as the companies themselves. It has been the soundtrack home to many of the world’s most iconic films, television shows and games since 2001.


 

Nothing in this world can take the place of good old persistence.


 

Oh, look. A giant orange unicorn singing songs with a bunch of smiling kids.

Yeah... because that's never ended badly.

The trailer for It's Buddy! wastes no time setting the trap. Everything's bright. Everything's colorful. Everybody's smiling like they just won the lottery. And that's exactly why you should be nervous.

See, the creepiest monsters don't show up covered in blood. They show up with a grin, a catchy theme song, and a promise that everything's going to be just fine.

Until somebody says...

 

Reverence Article Credit: BBC Sport - Football
Tiffany & Co - Italian Graffiti Artist, Reana Heflin ♡

Switzerland defeated Northern Ireland 2-1 in their final Women's World Cup qualifying match on June 9, 2026. Group winners Switzerland secured the victory at Mourneview Park with first-half goals from Géraldine Reuteler and Smilla Vallotto, while teenager Emily Cassap scored a late consolation goal for Northern Ireland on her debut.


Northern Ireland analysis: Defensive lapses cost McArdle's side



Given that the game had little jeopardy in terms of both sides' qualification hopes, it was an opportunity for the managers to assess their options. Both made five changes apiece from their previous games.

While the Swiss were not at full strength, they were still a level above Northern Ireland and exhibited why they won the group unbeaten.

They also provided a good test for Michael McArdle to assess what his side need to do to match opponents of a similar level for the play-offs, where NI will be unseeded and will face teams from League A or potentially a League B group winner.

In a 4-3-3 formation, NI were set up to attack and tried to break at pace, while defensively they pressed high and aggressively against the Swiss, as they did in their two wins against Malta last month.





Maxwell will rue her inability to take those two early chances and they ultimately proved costly, as did defensive lapses for the goals.

McArdle will be disappointed that the team switched off to allow Wandeler to find Reuteler, who was composed with the finish, and that Vallotto had time and space in the box to stroke beyond Jackie Burns.

One real bright spark for NI was Cassap's lively cameo off the bench and she will hope her debut goal will have caught the eye enough to help her be included in the autumn.

Northern Ireland kept the Swiss relatively quiet in the second half, but can ill-afford similar switch-offs in the play-offs, where they will be huge underdogs given they will have to progress through at least two rounds of two-legged games if they are to reach a first Women's World Cup.



At a glance

  • Geraldine Reuteler scores opener for Switzerland on 29 minutes before setting up Smilla Vallotto for the visitors' second

  • Teenager Emily Cassap nets debut Northern Ireland goal 66 seconds after being introduced as a substitute

  • Switzerland top the group with five wins from six games as they earn promotion to League A

  • Northern Ireland to remain in League B and like the Swiss have a World Cup play-off in the autumn


  • Lauren McCann
    BBC Sport NI Journalist

    Switzerland inflicted a fourth defeat on Northern Ireland in their final Women's World Cup qualifier as the group winners picked up a 2-1 victory at Mourneview Park.

    The Swiss made the breakthrough just before the half-hour mark through Geraldine Reuteler, who then turned provider to pick out Smilla Vallotto to add a second just before the break.

    Teenager Emily Cassap curled home a debut goal just minutes after coming on, but it proved to be a consolation for NI as the Swiss held on for the victory.

    The win secured a return to League A for Rafel Navarro's side, while Northern Ireland finished third in the group and will remain in League B.

    Both sides will now look forward to the play-offs in autumn with the draw to decide their opponents to be made on 18 June.

























 

Panelists:

Trey Parker, Co-Creator, Executive Producer

Matt Stone, Co-Creator, Executive Producer


Moderator:

Mike De Luca, Chairperson and co-CEO of Warner Bros Motion Picture Group


Location:

Linwood Dunn



Event Recap:


At the South Park Emmy Official FYC event at Linwood Dunn (recorded on May 19), co-creators and executive producers Trey Parker and Matt Stone were joined in conversation by Mike De Luca for a wide-ranging discussion about their nearly 30 years working on South Park, their embrace of technology, and the longevity of what they’ve created. After receiving a standing ovation upon taking the stage, Trey and Matt reflected on their writing process and how cathartic it is to make South Park in the current political climate, explaining how the series has always reacted to both the culture and their own evolving perspectives. Trey noted that the character of Randy originally began as a way to make fun of his father before gradually becoming more reflective of himself. Mike transitioned into discussing “The Spirit of Christmas,” the original VHS short Trey and Matt created in college, which Matt described as “viral before viral existed,” though he joked it took much longer for things to spread at that time. The conversation then shifted to the show’s famously fast turnaround process, with Trey explaining that episodes often begin the week before airing, and that technology has become an essential creative tool in helping them execute ideas at such speed. When discussing A.I., Matt spoke about their A.I. company (Deep Voodoo) and how they view the technology as a tool for creativity rather than a replacement for the creative process. Trey and Matt emphasized that while technology continues to evolve, the heart of South Park remains rooted in the writers’ room and in making each other laugh. Matt explained that the secret to South Park is not necessarily how quickly they make episodes, but that they essentially create longer cuts and refine them down. Trey joked that episodes are often “unwatchable” the Sunday before they air, and that sometimes they do not even fully know how they feel about a topic until the night before broadcast. Mike also asked about the rhythm and pacing of the series, which Trey said has become second nature after decades on air, though he noted that longer format specials like “Streaming Wars” allowed scenes more room to breathe. Trey shared that his favorite episodes often begin from a simple comedic premise that evolves organically into a full story, explaining that they strive to make each episode feel like a self-contained mini movie rather than following the structure of traditional adult animation. Discussing the voices of the characters, Matt explained that many are discovered organically in the writers’ room, and if something makes the room laugh, they continue developing it. Trey then reflected on discovering pitch-shifting technology in the early 1990s, which helped define the iconic sound of the show. Mike later asked about the music in the series, specifically highlighting “A Christian Woman,” this year’s Emmy submission for Original Music and Lyrics. Trey revealed that there is a piano in the writers’ room and explained how music often helps the team work through creative challenges or moments where they feel stuck. Trey shared that early in the season they knew they wanted to bring Jesus back and explore the idea of him hitting “rock bottom” in a way that felt both poignant and funny. The conversation also touched on some of the show’s most ambitious creative swings, including the World of Warcraft episode, with Trey explaining that they have always loved experimenting with new forms of storytelling and collaborating directly with artists and experts from the worlds they parody. When discussing the current state of comedy, Matt reflected on competing not only with the internet but also with politicians and the constant performance culture of modern media. Despite how much the landscape has changed, Trey and Matt explained that their guiding principle has remained consistent: following topics no one else is talking about and focusing on what genuinely makes them laugh. They acknowledged that part of the humor and endurance of South Park has come from their refusal to stop, even when people encouraged them to move on. Reflecting on the Season 27 premiere reaching an all-time ratings high, Trey and Matt described the week leading up to it as enormously stressful amid the backdrop of major company negotiations and industry changes, though they noted that the convergence of everything happening ultimately clarified what the season needed to explore creatively. Trey added that one of the benefits of the show’s one-week production cycle is that they do not have time to second guess themselves and instead simply trust their instincts. Closing the conversation, Mike asked about the show’s longevity and what has allowed South Park to remain creatively vital for so long. Trey compared each season to an album and each episode to a song, explaining that he and Matt always wanted to be rock stars and still approach the series with that same mentality of trying to capture something meaningful in the moment. Looking back on past seasons, they reflected on how the show documents what mattered to them at different points in their lives. Trey and Matt also shared how meaningful it has been to return to the series after longer gaps between seasons, describing the show once again becoming a cathartic experience for both themselves and audiences. When asked if there was anything they would not do again, they joked “10 in a row,” referencing the difficulty of producing ten consecutive episodes at once. Trey added that staying creatively excited and remaining honest in the room has been essential to the series’ longevity, emphasizing that they are never trying to simply recreate who they were years ago. The panel concluded with Trey and Matt confirming that six more episodes are coming this fall, prompting another huge round of applause and standing ovation.


Synopsis:



The hit animated franchise, which will be celebrating its 30th anniversary in 2027, debuted on Comedy Central on August 13, 1997. Stan, Kyle, Cartman and Kenny were first seen in the animated short “The Spirit of Christmas,” and from there were launched into television history.  The show continues to be celebrated three decades after its debut, winning the Primetime Emmy for “Outstanding Animated Program” five times and receiving 20 nominations.  South Park was included in the 2026 Television Academy Honors as their first ever animated honoree, as the Producers Guild Awards (PGA) first animated show to be included in Best Episodic comedy, and has also received awards and accolades from the American Film Institute (AFI), the Peabody Awards and the Critics Choice Association.  In addition, South Park was the # 1 show on cable in 2025 among P18-49, including the return of S27 delivering the best average P18-49 share in 27 years and most watched season in six years.  Co-creators Trey Parker and Matt Stone are executive producers, along with Anne Garefino and Frank C. Agnone II. Eric Stough, Adrien Beard, Bruce Howell and Vernon Chatman are producers. Christopher Brion is the Creative Director of South Park Digital Studios. South Park’s website is SouthPark.cc.com.




 

Tiffany & Co - Italian Graffiti Artist, Reana Heflin ♡
“The Devil Wears Prada 2” is now in theaters.




















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